217 Royalty-Free Audio Tracks for "Electronic Waves"

A subbass sine wave with a slow throb volume envelope and some panning action, designed to work well as a loop or a sample. Created with ableton and audacity.

Cool sounds from filter. The two filters filter a tri-wave. The filters are almost self oscillating and are modulated by an lfo. Natural tones. And some spring reverb and analog delay.

Bartonmusicalcircuits 2lfosh (bmc 017). Manual wiggling. First it acts like a sample and hold and lfo. S/h connected to a vco and the lfo to a filter. Then i'm testing the lfos. After that you hear the two oscillators. Great module. 3 in one. Lfo, sample and hold and oscillators. Square, triangle wave and a mixed waveform!.

A balearic disco electronic drum-loop. Inspired by the happy mondays. Made on direct wave (a multi-sampler vst plugin by image line ), running fl studio as a host.

Two envelopes trigger each other and the quantizer which is fed with cv from the sloth lfo. Anyway, a modular synth experiment. A triangle wave from an lfo acts as a bass tone.

I'm trying hard to learn/understand nlc genie. Bought the module 3rd hand. . . At least. Trying to replicate the sounds from andrews demo videos are to learn. 2 tri lfos to in1/2 and in2/3. Out- to wave folder and out+ to cv in on vco. The bass drum like sound is another story. But modulated by a nlc sloth. . .

Feel free to sample this for a beat or use in a creative project. Made with garageband. It would be awesome to see what you create so please comment a link.

Sound i've morphed with effects, reverb, more reverb, some processing, and played with a simpler to create this. Lofi sounding mellow vibe.

Sloth (lfo) to vclfo is the "engine". Triggers chain reacting function generators"boom/booiing" trigered "by" logic - nor i thinkjupiter storm is one voicejupiter storm also modulates the other voice that goes through wave rectifyingjerkoff modulates jupiter storm, a trigger goes back to jerkoff and jupiter is modulating it self. . . Noiseno hands. . .

Skype interference or feedback sound effect. Its the sound your computer makes if your speakers are too loud. What happens is that your computer plays the sound coming from the person on the other side and then it plays over there and then plays back on your computer, it builds up in waves. Just turn your sound down and it should go away.

Alien tech sounds in separate wave forms, to splice up or use consecutively as recorded. "raiders of the lost clam!!!" uses freesoundorg sounds!.

Biggish saw synth d a b e 198 bpm.

Biggish saw synth e e g b 102 bpm.

All sounds made using following equipment:. -roland m-cube gx-xlr cable-ibanez grg170dx electric guitar.

This is one of many build ups from my personal effects library. I used a time-stretch,and added a heavy eq over it for an added bass effect. It builds from in fade to original volume with re-verb. Enjoy. .

Future bass supersaws, created with xfer serum in reaper. Decided not to use this chord progression for my track, but perhaps it can be of use to someone!. License: cc0.

This is one of many build ups from my personal effects library. I used a time-stretch,and added a heavy eq over it for an added bass effect. It builds from in fade to original volume with re-verb. Enjoy. .

I made a saw wave and put some flanger and paulstretch effects to it on audacity and made this synth-like saw wave inspired by the saw wave sample from the ps1 startup sound. If you want to put a loop to this sound, it's 67109 to 84907 on openmpt. Do whatever you want with this (like sounds or music) and credit me if you want as pk superstar256 (in a fan project) or ismo-kun games (in a commercial project). Yes, you can use this in things that can make you money, just don't make money off of this sound of its entirety in unedited form. Author's notes: "honestly, it sounds like a overdriven/distorted guitar to me. ".

Using strike function on the cš-l wavefolder with tempi sequenced by rené passed through struck optomix erbe-verbe and mimeophon. Morphagene running max. Wave folder strike tempo. The secret´s in the erbe-verb marbling. (ratio between size, speed and pre-delay). Splice is morphagene oven-ready with markers set. Enjoy hot!.

No, i cant really describe what this is! but i use a ring modulator. Two audio signals goes in. I guess the side band frequencies goes out??? or?! anyway the original frequencies are also in the mix. So, two audio signal and the result from a diy ring mod. Have to learn more. . . Read below!!! in this sound you are listening to, the result, the ring modulation, carrier signal and modulator signal. After some research. . . I write this for myself. . . Correct me if i'm wrong!!!from youtube (audiocollage)ring modulation is the sum and the differences of the carrier and modulator signal. Feed the ring modulator with 261,626hz and 391,995hz and you get (261,626 + 391,995) 653,621hz and (391,995 - 261,626) 130,369hz. From wikipedia". . . Neither the carrier nor the incoming signal is prominent in the outputs, and ideally, not at all. "". . . In the basic case where two sine waves of frequencies f1 and f2 (f1 < f2) are multiplied, two new sine waves are created, with one at f1 + f2 and the other at f2 – f1. The two new waves are unlikely to be harmonically related and (in a well-designed ring modulator) the original signals are not present. It is this that gives the ring modulator its unique tones. ". Above is true when using pure sine waves! waves with no harmonics. I have a passive diy ring modulator. I guess it's not acting "perfect". . .

This is made by feeding homemade images to audiopaint 3. 0 while its oscillators are tuned to randomly-selected scales. Some of them use sine waves, while others use custom waveforms.

I needed this synth part for this song i'm working on right now. . . So i decided to create one instead of getting one from here. Saw wave, with a gate, and a saw lfo low pass filter down, with full delay and slight reverb. Areppegiating on a c#6.

More 120bpm beats and stuff i made from scratch in live using midi instruments and the non sample based softsynth phoscyon to build up sounds from waves, then run them through compressors, distorters, destroyers, eqs, and textures.

A self modulated a-110. A self modulated bermuda through filter with some res. Barton analog drum, spring reverb and analog delay stompbox. Sxxxe (you know what) sound is imperfect wave forms, or. . . ?.

A patch generating triggers not that random. . . The triggers are triggering an envelope generator and a sample and hold. The sample and hold cv is quantized following a minor 7th chord rules. Hope you understand. . . Pardon my english. Why this. Answer. I have to start adding something like this to my patches. But i use 3 lfos for this :-/ thats about all i got - right now. The alm pip slope works fine as an lfo too. Square wave this time. Take a close look.

Recording of a computer graphics card. Captured closing using a "telephone" pickup coil and a zoom h5 recorder. It's always nice to hear what projects you use these sounds for. Let me know!.

Sample of the doepfer a-110-1 sawtooth output. Here's a link to the module: http://www. Doepfer. De/a110. Htm. Captured using a rme babyface and cubase.

Its a sine wave folded 4 times by a cgs inspired wavefolder module (kinda like the metalizer from the minibrute). The whole thing is then modulated with an external function generator that controls amount and frequency of modulation. This is what came out and it's pure junky drone noises, so goddamn nasty. Absolutely love them. Feel completely free to sample this and use it for your own purposes. This is a diy synthesizer i'm building and unfortunately it is still a prototype, but i'm gonna finish it soon and hope to sell it. Cool indeed, isn't it?.

Just a basic single wave form sample from a real roland jp-8080 saw wave in the key of g. Used in making an epic super saw and super arp for these youtube tutorials and project:. Part 1: https://www. Youtube. Com/watch?v=byd_yirefiipart 2: https://www. Youtube. Com/watch?v=wruzgwtmvuqfull ableton project here: http://blnd. Io/1aodggb. The sample is tuned to the key of g, you will have to make sure that the sample is set to the key of c or transpose up 5 semitones. I correct this in the new template update; so that all chords and arps are in sync w/ the correct key.

Quick flourishes of synth keys going up and down the pentatonic scale. Synth used was the korg ms 20 mini, analogue and monophonic. Subtle filtering and echo was placed on the recordings, as well as some reversing.

I have created a synth pitch on the daw renoise which sounds similar with the magnet from transformers 4. I hope you like it and use it :).

Modular synth patch where two envelopes are involved in a chase. There could have been a rhythm, but i let chaos disturb theharmony. The triangle wave sounds are "distorted" in a wave rectifier. Kind of metallic sound? interesting. The kind of patch only an owner to a modular synth findany interest in. Maybe a little more interesting then theprevious sound. . . This has an ambient feel. Why?answer: different wave forms, changed envelopes and reverb. A lot of reverb. Do you find any use for some part of this sound let me know!the "ground/root pith" is 122hz. . . Almost a b. . . But not really. I tune my oscillators without caring about "real" tones. The quantizer makes the steps between tones.

Electronic minute no 30 - 8 tones and tempo change. A patch centered around intellijel quadra + expanderim using the quadra modea sloth lfo is affecting the rise on one envelope generatorjoined eoc triggers sequencera slew, filter and some fm-generated vibratoand i patch up a pan fuctionyou know lfo + two vcas + and inverter. . . I want a vc pan moduleits on my lista little spring reverb as always. Evaluation of patch/soundone cycle is - there are many cycles to consideronly short sounds - no, goodamplitude variation - yep goodpitch variation - controlled by sequencertimbre variation - some, via filtermusical value - maybeentertaining - hmm. . . Interesting.

Modular synth patch where two envelopes are involved in a chase. There could have been a rhythm, but i let chaos disturb theharmony. The square wave sounds are "distorted" in a wave rectifier. The kind of patch only an owner to a modular synth findany interest in?do you find any use for some part of this sound let me know!the "ground/root pith" is 122hz. . . Almost a b. . . But not really. I tune my oscillators without caring about "real" tones. The quantizer makes the steps between tones.

Electronic minute no 27 - combined forces. A patch with 2 unrelated patchesthey share an lfo. . . A) 2 lfos playing with a-101-1 vactrol vcfthe filter is feed with a square wave. B) a more advanced patchtriggers from env. Follow. Feed with cv from jerkoff (chaos)noise to a slew controlled by a sloth lfos/h to oscosc to vcathe vca is controlled by the same lfo as the slew but inverted!. Evaluation of patch/soundone cycle is - cycles? about 1min - goodonly short sounds - no, and thats goodamplitude variation - fairly goodpitch variation - yes, goodtimbre variation - not bad at allmusical value - i should consider this musicalentertaining - think so, yes.

Modular diary 2018-11-13. Struggled with an idea i had. I wanted random chords. Outcome. Just boring. Involved many patch cables. Mixed the sound with radio noise and"a creek in a forest" by nikeranhttps://freesound. Org/people/nikeran/sounds/321471/.

Some c0 16. 35hz sine drawed in audacity with mouse hand free with no correction of the irregularities, looping, an envelope drawed manually as well, like for the original graphical pixel art obscur principles, except some slight eq filtering.

I fooled around with the normalized speaker noise audio file (i originally recorded off audacity) and made it into 4 parts. Feel free to use this sound effect in your old videos or stuff like that; please put at least my username handle and the sound in your clip description!. Thanks. ;).

You can use this sound in any project you want, but please also consider supporting me via patreon (1$) : https://bit. Ly/patreon22.

You can use this sound in any project you want, but please also consider supporting me via patreon (1$) : https://bit. Ly/patreon22.

Something went wrong with the audio! first i was going to record the sound of the wind. I placed the equipment, checked the audio and left. As i came back i realized that the audio file is full of interference!first i was quite angry about it, but then i thought that it is a pretty good sound effect!.

Another patch on vcv rack. Sick! why am i doing this when i have the real thing :-) well it's fun and convenient. I can test modules and patch ideas. If i have three square waves i will do this one at home too. I have done similar patches before on my eurorack. . . . ((. . . And i can do it at work. . . )).

Made sometime during 2017. Excerpts from my experiments with sinusoidal waves, homemade distortion effects, digital reverb, room reverb, and speaker->mic->pc feedback. Several effect parameters are controlled via an ekg setup called the "infernal gadget" which i constructed between 2010-2011 and used for several improvised music sessions.

In this patch i’m using doepfer a-160 clock divider as a sub bas generator. Square wave out from doepfer a-110 to trig in on a-160. I guess a square wave makes it easier for a-160? /4, in this patch, out to uvcf. The sawtooth from a-110 to another nice filter - the wasp filter. The transient modules 8s sequencer gives us an 8 note sequence. A copy of the sawtooth melody is going to an analog delay stomp box from joyo and back to the synth. Some reverb from a-199 sprv, spring reverb. Https://www. Youtube. Com/watch?v=ssrlq42phvi.

Sometimes i regret being so stubborn, only using analog modules in my modular. How easy it should have been creating cool rhythms for the drums with a digitalclock generator or having a nice wave table oscillator etc. . . . Today, i admit, i once again was looking at a digital clockgenerator. How would care!?same sequence as in electronic minute no 105, but slower. And i have added someeasy modular analog. . . . Drums and a bonus sound. Play with it. In the end the drums are alone!the wav-file is raw! no editing at all. Yes i should record via my h1. . . But it'sso easy to use the mic in on my laptop.

Algorithmic modular music program (man3_2019). The computer is my analog modular synth. 00 rem -------------- man3_2019 --------------00 rem man3 - modular algorithm no 300 rem the steps/command lines, 01 to 08, are steps on a step sequencer00 rem main clock (lfo_2) 3hz00 rem the cv sequencer (seq) are tuned to an octave split in 5 equal parts. 00 rem seq has its own clock00 rem lfo_2 controls vco_2 via vca_2 and vca_300 rem lfo_3 controls wave shaper and vcf00 rem vco_1 tuned to 150hz sin -> wave shaper00 rem vco_2 tuned to 150hz tri00 rem vco_3 tuned to 75hz sqr -> vcf00 rem ----------------------------------------01 sampl lfo_1 -> vca_1 (vco_1)02 sampl seq -> vco_203 sampl lfo_1 -> vca_2 (vca_3) : rem [lfo_2 -> vca_2 -> vca_3 (vco_2)]04 sampl seq -> vco_105 trg -> noise -> delay_106 sampl seq -> vco_307 trg -> env (vco_3)08 trg -> noise -> delay_110 goto 01.

Here's a vocal sample of "hydrochloric acid" ran through audioterm and sent to a waldorf blofeld as a wavetable. The blofeld pitches up and then scans the wavetable (via mod wheel, so it's fun), which plays out what you hear here, plus a fair bit of outboard verb. Sounds like a vocoder but it's not. As opposed to traditional samplers the pitch is independent of the playback rate / length of the sample.

fluctuating random voltages patch example from doepfer. De/a100_man/a100_patch. Htmi made the patch in vcv-rack. The patch is meant to emulate the "fluctuating random voltages" of the buchla 266 source of uncertainty module. In this patch i use the "fluctuating random voltages" to modulate a filter. The filter is filtering a square wave tuned to a c (or close to a c).